Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . and don't attack me asshole, I'm asking about what I've been told. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Are there more or less mids? It's fantastic and infinitely tweakable and great for people who like to try different styles of overdrive sounds, and who really want to try something other than a Tube Screamer. Also, get a Klon and try it as a heavy overdrive. Both pedals have an external tab jack. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. Stack the Tonebender and the Supro-y overdrive to cop Jimmy Pages tones. Based on your location, we've changed your settings: Shipping Region: Has CTS push-pull pots, Pushed is parallel (P90 sound), pulled is series (humbucker) both noise canceling. I also use an Xotic EP boost for stacking. What to stack with a Tumnus deluxe? : r/guitarpedals - Reddit Germany, Myself? If you go too far, you can make your tone muddy. Working the gain knobs of both pedals can get you into some pretty glorious overdrive, especially through a good tube amp (even moreso if it's set on the edge of breakup). Stacking "Klone" - Telecaster Guitar Forum They probably were referring to the fact that the Timmy can be set for a clean boost. 59 . The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Please check the fields highlighted in red. The trick, though, is to make it work well. Terry B Humble student of the blues . Boom. the are different circuits geared towards COMPLETELY different sounds-. big muff - JavaScript is disabled. I can never get them to behave well later in the chain. A few of these even fall into the category of "legendary tones," having appeared on many famous records in the classic rock canon. Timmy. Hi thanks for your replies. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. The tone stack on the Timmy is excellent. Some pedals are great at specific jobs. It may not display this or other websites correctly. Take an octave pedal, like the Electro Harmonix Micro POG, the OT-10 Octave by Ibanez, or the BOSS OC2. I vote used dod 250. JavaScript is disabled. Guitar volume knob cleanup varies from pedal to pedal, and some pedals coax your mind and fingers to work in different ways than others. I love using the JAM TubeDreamer, which is really a great version of a Screamer, but any of them will work. There are a number of interesting ways to set these delays up to complement each other, but the most common method is probably to set the Carbon Copy for a shorter slapback sound, while setting the DD-3 for a longer delay time and extended repeats. Blonde & Brown Z's sound best!! Okay, lets get down to business. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. The Big Muff has plenty. This way, the drives will not conflict with one another. IMHO the timmy sounds like a good pedal (not what Im looking for in a boosting/od effect) the KLON sounds like its part of your amp.. paul cochrane makes some nice gear man- had the tim (which is just a timmy with an effects loop).. the KoT gets alot farther that the tim got me in all aspects.. the klon is not worth the 6-7 they are going for on ebay but they are worth the 344 that bill sells them for!! I hate it as a clean boost. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Guitar Lessons with RANDY HANSEN!!! - musical instruments - by So I crank the drive knob up to 75%, I put the treble/tone control at noon, and then I adjust the volume accordingly, and I have a beautiful second stage breakup that's rich and full of mids. Not enough people do it, and I think you'll be really surprised. Stacking a TS808 with an OCDv2 and Ryra the Klone Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? For example, if your fuzz pedal sounds best to you with the gain set high, treat it like a heavier-gain pedal. It tastes like heaven. TC Electronic Spark Booster (has Gain option). You have this repeat falling with the rhythm of how you're playing, and then you add a modulated reverb. Okay, in context he may have been talking about donuts, not guitars, but my point still stands. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, When I tested this out at the studio, I used the Walrus ARP-87 and my Panther Cub. Tried and time tested legendary pedal Excellent condition Made In Japan by Ibanez Fully tested and work as it should.. Even in the simplest rigs, there are a lot of considerations. Whew! The Tumnus will be perfect for most of the songs I play with its clearer low dirt sound, but I will need slightly more distortion for a few heavier songs my band plays and also I would like the extra push for my solos to cut through. Originally produced by Bill Finnegan between 1994 and 2000, getting your hands on one of the original units could set you back over 1,000. Does the character of the pedal change? You are using an out of date browser. In total, about $450-$500 in upgrades between the pickups, pots, switch, and hardware. On my main board I actually stack the Timmy with a Soul Food and a Plimsoul for a really nifty rockin' type of tone where I can roll back my volume knob for different levels of OD. From there I have three options to pick and choose from depending on the kind of dirty sound . Fuzz stacked into an overdrive pedal? I'm already in the possession of a TS808 and I'm (happily) running it into an OCDv2. Happy stacking! It kind of has a scoop and a lot of people complain, Dude, I turned my Big Muff on, but we're in a band setting and I disappear out of the mix. Which 100% makes sense, honestly, because mids are super important to make you stand out in that mix. So what do you guys think? You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. Virginia. Hendrix. With even EQ spectrum, based on Bluesbreaker, etc. Original Blues Breakers, while not super expensive, still hover in the 250-dollar range (a bit much if you ask me). Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. However, the concept can work with a dirty amp too. At the end of the day, I just want you to get your pedalboard and start stacking stuff, have fun, change the order, try some things out. TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. Whatever youre looking to experiment with, you can find that delay effect on here. Another really affordable pedal that people forget about is the Fulltone GT-500, which you could get today for $50 - $75. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. Timmy is used by itself for a crunchier sound than Klon. Some pedals are great at specific jobs. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. so its nice that you think you know what you are talking about mr 'ive worked in fields.'. Despite its size, it's pretty damn versatile, thanks to three clipping options. One of the nice things about stacking delays is that it involves less trial-and-error than dirt stacking experiments typically do, because most delay pedals will play together nicely without much prompting. Turn off the Fuzz Face and turn the Supro-y overdrive back on and, depending upon how its set, youre in Neil Young territory. So you can use a Tube Screamer, but I personally use a Klon Centaur when Im jamming at my office. Mimic, HSH to SSS and SSH (board little Mind). The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. You can also use drive pedal stacks to change the overall character of your existing rig. Since your gear creates a system, its important that every piece serves the whole. Gilmour is famous for gently prodding his Big Muffs with a variety of boost and drive pedals, but the most highly regarded of these combinations is probably a ram's head-era Big Muff running into a Colorsound Power Boost. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Maybe you should. Then stack that pedal with another gain flavor, and you have two distinct amp tones that can both be overdriven. The Quiet Theory Prelude is also a great pedal, since it has both settings. With a three-decade career as a professional guitarist in Nashville, Tennessee, Sweetwater's Don Carr has a long list of album credits in multiple genres of music. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Transparent drives are great for adding gain or boost to a sound you dont want to alter, like a second channel or gain stage. Now, here's the trick. JavaScript is disabled. Cranking the gain and volume too high on either pedal will result in a farty, muddy tone that you probably won't find very pleasing. Now this is big. I have both & they are completely different. I've got a Timmy and a Tumnus arriving tomorrow. Pph 21 pegawai kontrak. Private Music Rehearsal Studio for Sale in Los Angeles, CA - OfferUp Any suggestions would be greatly appreciated as to which order makes more sense in general. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. It's really beautiful. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. ahI saw rolleyes and bor, plus a challenge to call the builders, my asshole meter broke a needle. Are the highs the same? fender original tele 50s, 24 Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? i own and opereate a recording studio, people pay me to listen to music too- what the {censored} is your point here? By TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. For me, I consider it an always . Based on the Klon Centaur, somewhere between Transparent and TS-style. Youve got to keep the modulation and the effect level of this kind of low. Here are 5 tips to understand as you begin to stack pedals: Trust your ears. Randy has agreed to share his secrets and vast knowledge with us on Monday's and Tuesday's ( When he's not on tour of course) He has been performing his Tribute to Jimi since 1977 and has also played with many other artists. 4 Perfectly Pleasing Pedal Pairs | Reverb News This is a really good go-to combo. I typically break that rule every time I combine tremolo and reverb. A whammy works well for this, too, if you want to use it. . Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. Yamaha Revstar RS502 Seymour Duncan P90s, Gotoh Hardward - musical Basically, I hit a note and then it bounces back slowly. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry.
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